Una alondra en el Paraíso

Pablo Williams

doi:10.22201/fesa.figuras.2021.3.1.179

Authors

Pablo Williams Independent researcher (AR) https://orcid.org/0000-0003-1845-373X

DOI:

https://doi.org/10.22201/fesa.figuras.2021.3.1.179

Keywords:

Language, Dante, Comedia, Justice, Figure of speech, Metapoetry

Abstract

The matter of language, its origin, power and limit, its modulation as metapoetry emerges especially in the third cantiche of the Comedia in which this issue surfaces in the representation of the subjectivity of Dante-pilgrim character and Dante-author, in the representation of the subjectivity of the blessed souls, and in the many lyric images or metaphors that build its poetic space.

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Author Biography

Pablo Williams, Independent researcher

Pablo Williams is a literary critic and a translator. He has published works on iconography, Latin, Italian, and French literature, as well as translations of poetry and essays in several languages in specialized books and journals. He has given courses and lectures on Dante at UNLP, UNGS, the Academia Nacional de Ciencias, the Universidad Andina de Quito and at Museo Malba. He has taught about History and Iconography of Melancholy, on The Sublime, and on the works of Dante, Shakespeare, Hölderlin, Rilke and Aby Warbur at Fundación Centro Psicoanalítico Argentino and other institutions.

References

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Williams, Pablo. 2008. “Dante y el límite musical del lenguaje.” El hilo de Ariadna, no. 3: 4.

Williams, Pablo. 2005. “El vicio de la Acedia y el giro estético de Dante.” Eadem Utraque, no. 1 (diciembre): 13-37. https://utraqueuropa.com.ar/index.php/eadem/issue/view/1 Revisado el 10 de septiembre, 2021.