From Guido Guinizzelli to Dante Alighieri. A philosophical perspective on chapter XX from Vita nova or the origins of “Amor, ch’a nullo amato amar perdona”
DOI:
https://doi.org/10.22201/fesa.26832917e.2022.3.2.205Keywords:
Dante, Vita nova, Commedia, Guinizzelli, Dolce stil novo, HylomorphismAbstract
Our intention here is to analyse chapter XX from Vita nova and draw how it leads into Canto V of the Commedia. Nevertheless, as in this chapter, and in general the Dolce stil novo, has a crucial precedent in Guido Guinizzelli’s canzone, “Al cor gentil rempaira sempre amore” [To the noble heart always returns love]. It will be our first task to analyse this canzone, its load of “philosophical” arguments and its doctrinal content (the doctrine of love). Consequently, evidence of a clear line that goes from Guinizzelli to Dante will be shown, as well as the evolution in the quality of the arguments and how this doctrine converges to Paolo and Francesca, in Canto V from Inferno.
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