Sol Álvarez, el arte como identidad

José Ángel Leyva

doi:10.22201/fesa.figuras.2021.2.2.155

Sol Álvarez, Art as an Identity

Authors

José Ángel Leyva Universidad Autónoma de la Ciudad de México (MX)

DOI:

https://doi.org/10.22201/fesa.figuras.2021.2.2.155

Keywords:

Sol Álvarez, Aesthetic stewardship, Spanish Civil War, The beautiful and the meaningful

Abstract

The plastic artist Sol Álvarez develops an aesthetic discourse based more on her theoretical training in the field of art, on her critical practice, and research into history of art and artists, and she assumes it under the principle of stewardship. That is to say, the legacy of a gift for which she is responsible of and which recognizes the teaching of whom have shown the tools and resources of creation. Stewardship as a discipline and as rebellion.

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Author Biography

José Ángel Leyva, Universidad Autónoma de la Ciudad de México

Poet, storyteller, journalist, editor, and cultural promoter. Founder and director of the publishing house and literature magazine La Otra. Head of Publications at Universidad Autónoma de la Ciudad de México (UACM).

He has published more than 20 books of poetry, narrative, scientific dissemination, journalism and essays. His most recent work are Lectura y futuro, 2015; Guillermo Ceniceros. Laboratorio de Formas, 2018; Voz que madura, entrevistas a poetas iberoamericanos (tres vólumenes), 2018; Luz y cenizas, 2019, El mezcal de Durango, un trago de luz y paciencia, 2019, and Enrique Arturo Diemecke. Biografía con música de Mahler, 2020. His books have been fully translated into French, Italian, Serbian, Polish, and partially into Swedish, Portuguese, English and Romanian.

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Published

2021-03-01

Issue

Vol. 2 No. 2 (2021): March-June 2021

Section

Critiques (Resonances)

License

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How to Cite

“Sol Álvarez, Art As an Identity”. 2021. FIGURAS REVISTA ACADÉMICA DE INVESTIGACIÓN 2 (2): 138-42. https://doi.org/10.22201/fesa.figuras.2021.2.2.155.