Anxieties of the Anthropocene in R´lyeh and Palmyra atoll; the nautical weird fiction of Lovecraft and D.T. Neal

Authors

DOI:

https://doi.org/10.22201/fesa.26832917e.2025.6.2.411

Keywords:

Nautical weird fiction literature, monster, sublime, Anthropocene, Cthulhu, Lovecraft, D.T. Neal

Abstract

IN D.T. Neal’s 2013 novel Relict, the protagonist, Paige, witnesses how her pleasure trip across the Pacific aboard a revolutionary luxury yacht, comes to an end when her three companions are murdered by a giant octopus that holds her prisoner on a solitary atoll. As she prepares her final confrontation to escape the creature, she thinks of Cthulhu, H.P. Lovecraft’s octopus-faced creation. The reference to The Call of Cthulhu (1928) goes beyond this mere mention; in terms of the plot, both Lovecraft´s story and Neal’s coincide on the presence of three different evidences in each of the works, which make difficult to deny the existence of monstrous entities that give their respective titles to the narratives and whose irruption forces the protagonists to accept the existence of a broader reality where any humanity preponderance is completely overshadowed. Furthermore, the two stories take place in the vastness of the Pacific, which makes awareness of humanity's insignificant role on Earth even more evident. Also, the fact that creatures belong to lineages much older than that of primates. From the perspective of these beings, we humans are an irrelevant species, and our claim to supremacy on the planet is contested by their successful attacks, as they are better adapted to their environments and they are only monstrous from our perspective. The purpose of this chapter is to frame the definition of Nautical Weird / Literatura náutica de lo extraño emphasizing the role of the ocean’s immensity in the impression both protagonists experience in both texts when confronting creatures whose presence challenges human knowledge. Based on this, I will explore how Lovecraft and Neil make use of an encounter with oceanic monstrosities, whose perspectives ended up as opposite to anthropocentrism. Through these encounters, both authors express similar concerns regarding the Anthropocene, despite the almost century-long gap between their writings.

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Author Biography

  • Antonio Alcalá-González, Tecnológico de Monterrey, campus Santa Fe en Ciudad de México

    Founder of the Congreso Internacional de Literatura Gótica (held every two years in Mexico City) and director of the Escuela de Humanidades y Educación at the Tecnológico de Monterrey, Santa Fe campus in Mexico City. He has co-edited special numbers of academic magazines on nautical Gothic (Gothic Studies) and the legacy of H. P. Lovecraft in the 21st century (Aeternum).

    He also co-edited the books Doubles and Hybrids in Latin American Gothic and Lovecraft in the 21st Century Dead, But Still Dreaming (both published by Routledge). Alcalá-González has published articles and book chapters on creators such as H. P. Lovecraft, Algernon Blackwood, D. T. Neal, J. R. R. Tolkien, Ivan Albright, Carlos Fuentes and Juan Rulfo, as well as the connection between the Gothic tradition and the lyrics of Underground Metal music bands. Currently, he is editing a book on the connections between Gothicism and the Anthropocene. 

References

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Ulstein, Gry. 2019. Age of Lovecraft?’—Antrhropocene Monsters in (New) Weird Narrative”. In Nordlit 42: Manufacturing Monsters. Edited by Christian Beyer, Juliane C. Bockwoldt, Emil Lundeal Hammar, and Holger Pötzsch. (Autumn): 47-65. DOI https://doi.org/10.7557/13.5004

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Published

2025-03-01

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Section

Essays (Scenarios)

How to Cite

“Anxieties of the Anthropocene in R´lyeh and Palmyra Atoll; The Nautical Weird Fiction of Lovecraft and D.T. Neal”. 2025. FIGURAS REVISTA ACADÉMICA DE INVESTIGACIÓN 6 (2): 129-35. https://doi.org/10.22201/fesa.26832917e.2025.6.2.411.

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