La IA en el borde del fin del mundo

Edgar Olvera-Yerena

doi:10.22201/fesa.26832917e.2022.4.1.247

Authors

Edgar Olvera-Yerena Doctorado en Artes y Diseño. Universidad Nacional Autónoma de México Mexico https://orcid.org/0000-0002-9619-0077

DOI:

https://doi.org/10.22201/fesa.26832917e.2022.4.1.247

Keywords:

Artificial Intelligence, Creativity, Art, Design, Technology

Abstract

In Computer Science, Artificial Intelligence (AI) is the discipline that attempts to replicate and develop intelligence and its implicit processes through computers. As stated by some theorists, gurus and computer specialists regarding the possible scope of artificial intelligence, if history has taught us anything, it is the ability of human beings to develop technologies with unpredictable results. In the fullness of 2022, the application of artificial intelligences for the creation of graphic works, photographs, comics, logo design, literary works and almost any work we can imagine, is a reality. It is worthwhile to stop and reflect on the cultural, social and political implications of these technological advances and developments at the dawn of the 21st century.

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Author Biography

Edgar Olvera-Yerena, Doctorado en Artes y Diseño. Universidad Nacional Autónoma de México

Audiovisual creator, teacher and researcher, he lives in Mexico City where he presents and organizes activities oriented to the dissemination and teaching of design, live cinema and audiovisual experimentation. He is a doctoral student in Arts and Design, Master in Visual Arts by the Postgraduate in Arts and Design of the Universidad Nacional Autónoma de México (UNAM), Graphic Designer graduated from the Faculty of Arts and Design of the UNAM. He held the position of Coordinator of Cultural Diffusion of the Academy of San Carlos, where he organized exhibitions, master classes, festivals, meetings and various artistic activities.

He organized more than one hundred Live Cinema and Sound Art and Audiovisual Exploration Sessions, with the participation of more than 200 national and international artists; as well as nine International Encounters of Sound Art and Audiovisual Exploration, summoning national and foreign artists to share experiences through live acts, workshops and conferences.

Creator, coordinator and facilitator of the Intermedia Art and Design Laboratory at the Research Coordination of the FAD-UNAM.

He has taught the Workshop of Sound and Visual Experimentation in Real Time for the Graduate Degree in Arts and Design, as well as subjects in Digital Photography, Editorial Design, Creation and processing of moving image in Universities and private Schools; besides having participated in various events between 2011 and 2020, such as festivals, meetings, colloquiums, national and international symposiums, as well as lectures and workshops for educational institutions and museums.

References

Manovich, Lev. 2006. El lenguaje en los nuevos medios de comunicación: la imagen en la era digital. Buenos Aires: Paidós.

Midjourney. s.f. Revisado el 25 de septiembre, 2022. https://www.midjourney.com/home/

Russell, Stuart J., y Peter Norvig. 2004. Inteligencia Artificial, un enfoque moderno, 2ªed.; traducido por Juan Manuel Corchado Rodríguez. Madrid: Pearson Educación. https://luismejias21.files.wordpress.com/2017/09/inteligencia-artificial-un-enfoque-moderno-stuart-j-russell.pdf

Wikipedia. 2022. “Inteligencia”. Última modificación Septiembre 19, 2022. https://es.wikipedia.org/wiki/Inteligencia