The Conflict Concerning the Ethical and Aesthetic View of tò kalón in Xenophon’s Symposium

Paola Minerva  Chapa-Montes

doi:10.22201/fesa.26832917e.2022.4.1.238

Autores

Paola Minerva Chapa-Montes Independent researcher (MX) https://orcid.org/0000-0002-9472-8486

DOI:

https://doi.org/10.22201/fesa.26832917e.2022.4.1.238

Palavras-chave:

tò kalón, Kalokagathía, Xenophon, Symposium, Ethics, Aesthetics

Resumo

The Greek term “tò kalón” has a wide variety of connotations, among which the ethical and the aesthetic aspects stand out. Scholars debate whether there is a clear separation between those two aspects, whether one subsumes the other, or more broadly what their relation is.

In this paper, I propose that Xenophon’s Symposium is a good scenario to explore the intricacies between different aspects of tò kalón. Not because the dialogue offers any deep philosophical discussion about the nature of tò kalón, but because Xenophon presents this dialogue as an illustration of tò kalón.

I shall argue that, even though it is generally agreed that tò kalón (fineness, beauty) elicits praise and commendation, experiencing or appreciating it does not necessarily lead to being able to provide its definition, just as having a definition of it does not necessarily affect our appreciation of it.

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Biografia do Autor

Paola Minerva Chapa-Montes, Independent researcher

She holds a PhD in Philosophy by the University of Leeds; a MA in Ancient Philosophy by the University of Western Ontario, Canada; a Masters in Philosophy and a BA in Philosophy, both by Universidad Nacional Autónoma de México.

She has focused her research in Aristotle’s thought, especially in his Metaphysics, Philosophy of Language, Logic, and more recently, in his Aesthetics and Psychology. Her current projects involve an analysis of fineness or “to kalon” as a metaphysical concept, and how it is displayed in objects of different nature, such as the polis, and living entities.

Referências

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Xenophon. 1971. Xenophontis opera omnia, 2nd ed. Edited by E.C. Marchant. Vol. 2. Oxford: Clarendon Press.