Being able to describe the event of transformation in production technologies
Günther Anders, Escultura sintecho. Un estudio sobre Rodin. Edición de Virginia Modafferi y María Carolina Maomed Parraguez (Pamplona: Molussia Editores, 2024).
DOI:
https://doi.org/10.22201/fesa.26832917e.2025.6.3.424Keywords:
Philosophy of technology, sculpture, experience, Günther Anders, Auguste RodinAbstract
The review argues that the edition of Homeless Sculpture by Günther Anders, published by Molussia Editores, revisits the technological gesture that Anders himself applied when reflecting on the work of Auguste Rodin. It claims that the German thinker’s 1943 lecture presents Rodin’s sculptures not as traditional artistic objects, but as machines for producing experiences. Moreover, it highlights how Anders positions himself within the philosophical debate on technology, in dialogue with figures such as Walter Benjamin, Theodor Adorno, Martin Heidegger, and Hannah Arendt.
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References
Adorno, Theodor W. 2001. Minima moralia. Madrid: Taurus Ediciones
Adorno, Theodor W. 2003. Notas sobre literatura. Madrid: Ediciones Akal.
Anders, Günther. 2011. La obsolescencia del hombre. Sobre el alma en la época de la segunda revolución industrial. Valencia: Pre-textos.
Anders, Günther. 2024. Escultura sintecho. Un estudio sobre Rodin. Edición de Virginia Modafferi y María Carolina Maomed Parraguez. Pamplona: Molussia Editores.
Arendt, Hannah. 2009. La condición humana. Buenos Aires: Paidós.
Benjamin, Walter. 1972. “Sobre algunos temas en Baudelaire”. Iluminaciones II. Madrid: Taurus Ediciones.
Benjamin, Walter. 2003. La obra de arte en la época de su reproductibilidad técnica. México: Ítaca.
Heidegger, M. 1997. “La pregunta por la técnica”. Filosofía, ciencia y técnica. Chile: Editorial Universitaria.
Horkheimer, Max y Adorno, Theodor W. 1994. Dialéctica de la Ilustración. Madrid: Editorial Trotta.
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